Dispatch
feminist moving image 

Céline Sciamma’s impressive debut film, Water Lilies, paints a realistic portrait of adolescent lust which tackles subjects of body image, first love and heartbreak, and exploring one's sexuality. Set against the backdrop of a summer in the suburbs of Paris, the film f...

The previous essay focussed on Jane Fonda’s two Oscar speeches, using them as frames to consider her political engagement with a view to understanding how she navigated her activism with her stardom and celebrity image. In this essay I want to look at Fonda from the po...

The Host is the latest film by Miranda Pennell in which she explores her family history and the history of the Anglo Iranian Oil Company, now BP, where her father worked. Pennell speaks over hundreds of photographs from the company’s and her family’s archives, alongsid...

As detailed in Little White Lies’ wonderfully comprehensive list, this year’s LFF programme showcased 112 feature and short films directed by women. The Weinstein allegations and subsequent outpouring of experience, empathy and introspection cast a long shadow over the...

Colombian director Laura Mora has presented her first feature film Matar a Jesús (Killing Jesus) as part of the Festival’s New Directors section, dedicated to first and second works where it received the Special Mention. In the film, Paula, a photography student, witne...

Anahí Berneri’s fifth and third film competing in San Sebastián follows a young prostitute, mother of a one-year-old boy who gets kicked out of her apartment after a raid. With neither her phone (confiscated by the police) nor a home, she is unable to work and, therefo...

Cheryl Dunye is a film director, producer, screenwriter, editor, and actor. She is Black and identifies as a lesbian. Dunye became visible in the 1990s, being a part of what’s known as the Queer New Wave or New Queer Cinema, an independent film movement centered around...

I am not simply using fragments of my body as containers for memory but these fragments transform in my imagination to become parts of structures, buildings, landscapes, enclosures and caves. They hide but also protect my past but because they are parts of my body, tha...

documenta 14 is the 14th edition of the quinquennial art exhibition held in Kassel. Founded by Arnold Bold in 1955 to help reignite artistic culture in a post-war germany, documenta has a reputation for subversiveness as it pushes back against a white eurocentric art s...

The history of Shakespeare adaptation for the screen is long and diverse. It has crossed spatial, lingual and generic boundaries. Were the World Mine (Tom Gustafson, 2008) is not an exception. It incorporates Shakespeare’s A Midsummer Night’s Dream into a romantic musi...