feminist moving image
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Bend It Like Beckham Could Have Been Queerer, But It Still Aged Well
MIA BAYS: ON A MISSION
WHY ARE ALL OUR PROPHETS DEAD? By Marissa Mireles Hinds
TRUTH: a visual poem
Miriam Bale: Indie Memphis 2020
Review: Oonagh Kearney’s feminist reimagining of Oíche Nollaig na mBan
Walking into The Wild at the Project Arts Centre exhibition space, among the sculptural and painted works a television screen shines in...
WOMEN ON AND OFF SCREEN IN NOLLYWOOD
Someone unfamiliar with the development of African film might think that female engagement with Nollywood is a recent evolution of...
INTERVIEW: MODERN EDINBURGH FILM SCHOOL
Alexander Hetherington's practice the Modern Edinburgh Film School is one of great intrigue. It is a practice that not only draws on...
Kelly O'Connor's Old Faithful and Female Mental Health
I paid a visit to the San Antonio Museum of Art on a warm Sunday afternoon as a necessary break from what my mother described as...
INTERVIEW: ERIKA LUST
For our first DISPATCH interview we spoke to one of the most interesting female filmmakers of the moment; feminist pornographer Erika...
REVIEW: THE INFINITE MIX
If you are like me then the gallery experience can bring on intense feelings of impostor syndrome. When walking around the large spaces...