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An 'emotional' sci-fi: The disruption of motherhood stereotypes in Arrival
Since it premiered at the Venice Film Festival in September 2016, Arrival (2016), the latest film by French Canadian Denis Villeneuve,...
TRAILER: 'Zula the Infinite' (2016)
Following a particularly tumultuous and hardened journey to bring her bountiful vision to life, LA based, independent director Jillian...
A Revolutionary Traditionalist: In Praise of Amma Asante
I’m grateful for Amma Asante. Her work is new and stimulating, yet rests gloriously in a traditional and classic milieu. Her two most...
Ride ‘Em On Down: The Sublime Queerness of Kristen Stewart
An ode to the fuckers. Bleary eyed and half awake I found myself scrolling the nebulous of social media news, while cocooned in the thick...
Review: Oonagh Kearney’s feminist reimagining of Oíche Nollaig na mBan
Walking into The Wild at the Project Arts Centre exhibition space, among the sculptural and painted works a television screen shines in...
WOMEN ON AND OFF SCREEN IN NOLLYWOOD
Someone unfamiliar with the development of African film might think that female engagement with Nollywood is a recent evolution of...
Kelly O'Connor's Old Faithful and Female Mental Health
I paid a visit to the San Antonio Museum of Art on a warm Sunday afternoon as a necessary break from what my mother described as...
REVIEW: THE INFINITE MIX
If you are like me then the gallery experience can bring on intense feelings of impostor syndrome. When walking around the large spaces...
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